There are always people in the heartless world Lyric yuria

There are always people in the ruthless World Lyric there are always people in the cold world Spring Festival holiday Lyric Wenwang Haitao had just ended, two geese photos, Huobian network, caused a lot of people singing Lyric "love two small animal". Even for the poem read to get a genuine and sincere, feel shy eat little animal meat. It even reached a newspaper, after the reporter confirmed that everyone in the lyric, and interpretation of animal love, two geese have been eaten for several days. You see, lyrical people, and meat eating people, are not on a single channel. Do you think love is good, I feel good goose. Do you think I’m heartless, I think you love. Sentimental is always mercilessly angry, in the heartless world lyric, is the joke. In February 18, 2016, in Babaoshan, many people came spontaneously to attend the memorial service of Mr. Yan Su, sending the artist a final journey. After the release of the news, social media comments, candles, candles, all over the memory and mourning for the father. It can be said that from the official to the folk, the father gains a very high evaluation. As an artist who has created songs for a lifetime, Yan Su has made great achievements throughout his life. Yan Lao’s life is a lyric life – songs, which is used for lyric. In the eyes of artists, the world can be processed by the art of various emotional appeal. Unfortunately, the real world is often not only ruthless, but also cruel. For example, in 1950s, the new China in order to quickly to communism, office of the collective canteen. A little understanding of new Chinese history knows that the collective canteen leads to evil, but when young Yan Su created the "public benefits" cafeteria lyrics — public canteens good, not afraid of the difficulties of famine, everyone gathered, hot kiss as a public dining room; benefits, time saving and labor saving every province firewood, without special treatment, the village shared a pot. Unfortunately, this song is just beginning to sing, not just do not go, "saving in time firewood" dining hall and canteen take this song lyric songs, before popular has become a joke, and was quickly off the shelves. The lyricism in art and the ruthlessness in reality are "a canteen, two expressions", which is also equivalent to "one China" and two expressions". I believe artists will be embarrassed by such jokes, but good things are always present in reality, and artists always have things to do. When writing this text, I repeated listening to another artist created a classic lyric song, "in the field of hope", Song — our hometown, in the field of hope, the smoke floating in the new housing, a brook flows through the beautiful village. A piece of a piece of winter wheat, sorghum, ten in the lotus pond, ten fruit. We have been fighting in this field for generations, dressed for her, dressed for her. Through the 1982 Spring Festival Gala, the rapidly popular Chinese. But probably

总有人在无情的世界里抒情 总有人在无情的世界里抒情   文 王海涛   春节假期刚结束,两只鹅的照片,火遍网络,引发了很多人抒情讴歌两只小动物的“爱情”。甚至还有人为此专门赋诗,情真意切,读来让人一辈子不好意思再吃小动物的肉。   这事儿甚至惊动了某家报馆,经过记者调查证实,就在大家抒情,并演绎动物爱情的时候,两只鹅都已经被吃掉多日了。你看,抒情的人,与吃肉的人,根本就不在一个频道。你觉得爱情美好,我觉得鹅肉美好。你觉得我无情,我觉得你滥情。多情总被无情恼,在无情的世界里抒情,就是笑话。   2016年2月18日,八宝山,许多人自发前来参加阎肃先生追悼会,送这位艺术家最后一程。   这个消息发布后,社交媒体上的评论里,点满了蜡烛,遍布对老爷子的怀念和悼念。可以说,从官方到民间,老爷子都收获了很高的评价。   作为一个一辈子搞歌曲创作的艺术家,阎肃一生佳作不断。阎老的一生,是“抒情”的一生――歌曲,就是用来抒情的嘛。在艺术家的眼里,这个世界是可以被艺术加工出各种情调的。遗憾的是,现实世界常常不仅无情,而且残酷。   比如,1950年代,新中国为了迅速奔向共产主义,办起了集体大食堂。对新中国历史稍有认知的人都知道大集体大食堂导致恶果,但当时年轻的阎肃创作出了《公共食堂好处多》的歌词――   公共食堂好处大,   灾荒困难全不怕,   男女老少聚一堂,   亲亲热热如一家;   公共食堂好处多,   省时省工省柴火,   不需家家开小灶,   全村共享一口锅。   遗憾的是,这首歌刚刚开始传唱,大食堂就办不下去了,“省时省工省柴火”的大食堂和这首拿食堂抒情的歌曲,还没来得及脍炙人口就成了笑话,然后迅速被下架了。艺术里的抒情与现实中的无情,就是“一个食堂,两种表述”,也相当于“一个中国,两种表述”。我相信,艺术家会为这样的笑话感到尴尬,好在现实中值得抒情的事情总是会陆续出现,艺术家总是有事情可做。   写这段文字的时候,我在反复聆听另一个艺术家创作的一首经典抒情歌曲,《在希望的田野上》,歌中唱到――   我们的家乡,   在希望的田野上,   炊烟在新建的住房上飘荡,   小河在美丽的村庄旁流淌。   一片冬麦,一片高粱,   十里荷塘,十里果香。   我们世世代代在这田野上奋斗,   为她打扮,为她梳妆。   通过1982年的春节联欢晚会上,此曲迅速红遍中国。可是大概也就过了10年,许多农民没有如歌中所唱“世世代代在田野上生活”,而是背井离乡去城市打工了,基本上放弃了“为她打扮”以及“为她梳妆”,又过了若干年,很多人开始感叹乡村各种沦陷了。   艺术可以成就艺术家,但不负责成就田野和田野上的人们。抒情可以彰显者抒情者的多情,也可以映衬现实有多么无情――这就是“一种现实两种表述”的反差所呈现的尴尬,就像朋友圈里的两只鹅与餐桌上的两只鹅,功能大相径庭的尴尬。   最近两天,有一个叫于迎丽的专家,在电视上谈起美国可能攻打朝鲜的时候说,“中国完全可以考虑把台湾问题跟朝核问题联系起来看,如果美国不排除用军事手段解决朝核问题……我们在台海问题上一贯立场就是从来没有排除无力手段”。这段话揭示了现实的无情,很多人将这种无情解读为,“美国如果打朝鲜,我们可以打台湾”。在如此无情的现实面前,今后谁再对台湾以“两岸一家,血浓于水”来抒情,你会不会认为这种抒情不真实,甚至是虚情假意?   所以,在无情的世界里,抒情总是不靠谱的。一个姑娘,面对一个穷光蛋的赞美和求爱,会觉得他是耍流氓,相反,如果那个赞美和求爱者是个高富帅,那他不仅不是耍流氓,而是帅呆了。   所以,在无情的世界里,不要随意抒情,也尽量不要相信抒情。但如你所知,在无情的世界里往往盛行抒情,用抒情弥补现实的残酷或肮脏。比如,在大城市街头,你经常看到有些围墙上,画满漂亮的风景或美好的口号,而如果你站得足够高,你就会发现漂亮的围墙里面,是一片杂乱的工地或待拆的棚户区。   围墙上的各种美好,既是抒情,也是遮挡。   (首发公号“海涛评论”)   (声明:本文仅代表作者观点,不代表新浪网立场。)相关的主题文章: